1929 Pre-Code Musical Gold Diggers of Broadway Vintage Lobby Card Advertisement

Description

ITEM: This is a vintage and original Warner Bros. lobby card advertising the 1929 pre-Code musical comedy film
Gold Diggers of Broadway
. Directed by Roy Del Ruth, the film stars Nancy Welford, Conway Tearle, Winnie Lightner, Ann Pennington, and Lilyan Tashman. This was Warner Bros.' second all-talking, all-Technicolor feature length film (after
On with the Show!
). It became a box office sensation, making Winnie Lightner a worldwide star. The film utilized showgirls, Technicolor, and sound as its main selling points.
As with many early Technicolor films, no complete print survives, although the last twenty minutes do, but are missing a bridging sequence and the last minute of the film. Contemporary reviews, the soundtrack and the surviving footage suggest that the film was a fast-moving comedy which was enhanced by Technicolor and a set of lively and popular songs. It encapsulates the spirit of the flapper era, giving us a glimpse of a world about to be changed by the Great Depression.
Small posters on card stock (usually 11" x 14" in a horizontal format), lobby cards were generally produced in sets of eight, intended for display in a theatre's foyer or lobby. A lobby set typically consists of one Title Card (a lobby card of special design usually depicting all key stars, listing credits, and intended to represent the entire film rather than a single scene) and seven Scene Cards (each depicting a scene from the movie). Lobby cards are no longer used in theatres today.
This lobby card measures 14" x 11".
Guaranteed to be 100% vintage and original from Grapefruit Moon Gallery.
More about Ann Pennington:
Ann Pennington (December 23, 1893 – November 4, 1971) was an American actress, dancer, and singer who starred on Broadway in the 1910s and 1920s, notably in the Ziegfeld Follies and George White's Scandals.
She became famous for what was, at the time, called a "Shake and Quiver Dancer", and was noted for her variation of the "Black Bottom". She also was noted as an accomplished tap dancer. Ray Henderson wrote the extant version of "Black Bottom" for Ann – she had already been performing the popular version of the dance for some time. Some years prior to this, she had also topped the bill on Broadway in her performance of the musically similar "Charleston".
Pennington also achieved fame as a star of both silent and sound motion pictures.
Pennington was born in Wilmington, Delaware, on December 23, 1893, and reputedly moved with her family to Camden, New Jersey, around 1900. Her father worked for the Victor music company, they were Quakers, and she had at least one sibling, Nellie.
She learned to dance with the Professor Wroe dance school, and her first performances in New York were as part of "Wroe's Buds". She wanted to be a classical actress, but her diminutive stature and talent as a dancer conspired against this ambition.
She began her career on Broadway as a member of the chorus in The Red Widow (1911) starring Raymond Hitchcock. Her debut in the Ziegfeld Follies was in 1913, where she quickly established herself as one Ziegfeld's top attractions.
With dimpled knees and long dark red hair, the petite, pretty, charming, and often scantly-clad Pennington stood a mere 4' 10" tall and wore only a size 1½ shoe. Because of her diminutive stature, she was referred to as "Penny" by her friends and colleagues. Her nickname for herself was "Tiny".
During her years in the Ziegfeld Follies she appeared alongside the likes of Bert Williams, Eddie Cantor, Will Rogers, Fanny Brice (who became her closest friend), Marilyn Miller, and W.C. Fields. She switched back and forth between George White's Scandals and the Follies more than once, earning a salary of ,000 per week well before the 1920s, and continued to moonlight in the early New York film industry. She also frequented Harlem in its jazz heyday.
In the 1926 edition of George White's Scandals, Pennington introduced the African American-influenced Black Bottom dance to America at large with her partner, the eccentric dancer Tom Patricola. First popularized in New York by the African American show Dinaah that had been staged in Harlem in 1924, after Pennington performed the Black Bottom on Broadway, the dance became was a national phenomenon, overtaking The Charleston in popularity.
George Gershwin was her rehearsal pianist and wrote several songs for her. Cole Porter, Ray Henderson, Joe Burke, Oscar Levant and Edward Ward all wrote for her shows, and The New Yorkers (1931) was her last great show for Porter. She could sing as well as dance as evinced by her recording of "Believe Me" (1930).
No films of her signature dance routines have been preserved, with the possible exception of the "Snake-Hips" number which occurs in Happy Days (1929). Her key dances in Gold Diggers on Broadway (1929) remain lost. Some of her scenes from Tanned Legs still survive, but her role in The Great Ziegfeld, while listed in some inventories, was in fact cut before release. She was listed as a star in the 1929 Warner Brothers showcase movie "Show of Shows", but her routines were never filmed, perhaps because her main song and dance number "Believe Me" was commandeered by one of Warners' rising stars Irene Bordoni. Ann did however get to perform "Believe Me" in the 1930 movie "Hello Baby!", which is still in print, and sang and danced "You're responsible" in "Tanned Legs" (for which movie she features in uncredited cartoon form on the posters and sheet music).
She was until the late 1920s chaperoned at performances by her mother. She was noted for a quick and witty personality, but was said to be shy off stage and easily embarrassed, and in her latter years was loath to discuss her early life.
Pennington was romantically linked to several men during her lifetime, and at one time or another allegedly was engaged to boxer Jack Dempsey, theatrical producer and early dance partner George White, actor Buster West, and musician Brooke Johns. None of these romances lasted and Pennington never married. She never spoke on record about any of her engagements, whether to confirm or deny them.
Ann Pennington never settled in one place for very long. She lived mostly in hotels in New York apart from some years in California as the constant companion of Fanny Brice, whom she had helped out at least once with loans and gifts of jewelry. Ann was noted for her generosity and many of her loans were never repaid; however most of her huge earnings were wiped out over the years by betting at the racetrack, decades of hotel bills, and gifts to charities and churches.
After her years on stage and screen ended, Pennington toured in vaudeville. She retired from performing in the 1940s. She last appeared on stage in a benefit show for the armed forces in 1946. She had a committed work ethic, and worked wherever the opportunity arose, although as she aged and tastes changed, she ended her stage days in shabby theaters with low ranked dance companies. Home movie footage of her "Snake Hips" dance at the 1939 World's Fair survive, but is more memorable for her enthusiasm than her star quality in her fading years.
Ann Pennington died of a stroke in New York City on November 4, 1971, aged 77. She had lived alone on welfare for many years in New York hotels overlooking 42nd Street. She was badly affected by arthritis. She was sometimes recognised shuffling along Broadway as a faded superstar of a world long past – but she was also mugged in her old age on one of her daily walks to a diner. She is buried in Kensico Cemetery in Valhalla, New York. No family were known to have attended her funeral, which was paid for by the Actors Benevolent guild. In noting her death, The New York Times (November 6, 1971) noted:
She liked practical jokes. Once, when a man she didn't particularly like, telephoned, asking, "Is this Miss Pennington?" she replied, "This ain't me." Her dressing room door bore a sign, "For Men Only."
A few years before her death, she was asked what had been the greatest reward from her years of stardom, and her reply was "in living, honey".
She was portrayed by actress Michelle Nicastro in the "Scandals of 1920" episode of The Young Indiana Jones Chronicles, which dramatizes her role as the star of George White's Scandals of 1920.
Of Ann Pennington's official film debut in Susie Snowflake, The New York Times stated on June 26, 1916:
Many of those who went to the Broadway yesterday for the first showing of Susie Snowflake will be inclined to endorse this particular nomination. Miss Pennington is obviously put forth as a diminutive star of the Marguerite Clark variety, a style enormously in vogue at the moment. She is little and cunning on Mr. Ziegfeld's stage and little and cunning on the screen. She has youth, a Mary Pickford like harum-scarum way with her and, except in the trying close-ups when her expression is somewhat adenoidal, she is pretty. Of course she dances. As her frisky little dance is her sole claim to fame at the moment, it could no more be omitted from her first scenario than the "pump and washing tubs" in Mr. Crummles's theater. So as a child of the music halls adapted into a staid, old New England community, Susie Snowflake disrupts a church sociable by doing her Follies dance there in her terse Follies costume.
Biography From Wikipedia
More about Nancy Welford:
Nancy Welford (May 31, 1904 – September 30, 1991) was a British-born American actress in the early sound film era. The daughter of actress Ada Loftus and actor Dallas Welford, she was born in London, England and came to the United States when she was six years old.
Welford's stage debut came as a member of the ensemble for Mimic World. As early as 1921, she was active in vaudeville. In 1922 she appeared at the Fulton Theatre on Broadway in the musical Orange Blossoms by Victor Herbert. In 1923, a caption of a photograph in the New York Daily News described her as the prima donna of a musical comedy and noted, "She has come up from the chorus and come to stay." She next joined the Gallagher and Shean duo in their performances. In 1926, Welford starred in Nancy, a musical for which she was the inspiration.
She acted in five films between 1929 and 1933. She is probably today mostly known for starring in the 1929 Warner Brothers musical Gold Diggers of Broadway, which was the second all color-all talking feature ever made. Today, Gold Diggers of Broadway is a lost film with only 2 surviving reels.
On October 24, 1924, Welford married film director F. Heath Cobb in Cleveland, Ohio. Her parents learned of the marriage about a month later, prompting her father to say, "I don't believe it", and putting her mother under a doctor's care at her home.
She married Henry C. Morris in 1945; he preceded her in death in 1985.
Welford died in San Francisco, California.
Biography From Wikipedia